Hiromu Arakawa’s genius is obvious throughout all of FMA but her first and biggest leap of genius was in how she crafted her protagonist.
Arakawa realized the burgeoning youth of the early 2000s wasnt interested in another plucky spry optimistic young shonen protag. Instead she gave us a short ugly egotistical asshole smarter-than-you atheist with so much money and power that people could no longer best him in arguments by telling him “dude shut up ur literally like 12″
Five pages in we’re told Edward’s famous and rich and powerful. Five more pages and he’s calling some girl stupid for thinking God exists. Five more pages and he’s proven right. Five more and he’s kicked an evil priest’s teeth in. And no one can tell his mom on him.
Hiromu Arakawa figured out the dream of every edgy young weeb discovering internet arguments for the first time and she cast them an idol made of gold.
It’s like the original protagonist got turned into a suit of armor, so his asshole sidekick had to fill in as the face.
Wait holy fuck
:)
8)
In the end, Alphonse has his full body, can still transmute without a circle, has experienced using alchemy with a Philosopher’s Stone, has a love interest fawning over him, and embarks on a journey to become stronger (learn alkahestry), with close friends (two chimeras he promised to help) willing to put in equal amounts of effort… yeah
