i’m gonna become an ancient aliens person but for medieval european cathedrals
you built shit that fancy? in like the 1200s? bulllllshit
True Crime Is Rotting Our Brains →
I was having outdoor drinks with my girlfriends when one of them mentioned her plan to do some solo backpacking in the Pacific Northwest. “Please be careful,” another friend said. “I’ve watched way too much Dateline.” Later, while checking Twitter, I ran across a Nextdoor post detailing the saga of a woman who rang someone’s doorbell and asked for a Band-Aid. She was driving a black Mercedes-Benz, the post continued; was it possible she could be scouting the place to rob later? The comments agreed that it was highly suspicious; no one pointed out that most thieves would probably not case a neighborhood in a Mercedes with a clearly visible license plate. My breaking point came when Newsweek, a magazine with 3.4 million Twitter followers, reported that an internet sleuth had discovered “disturbing” footage of Brian Laundrie, then a suspect in the death of his fiancé, reading the novel Annihilation and provided it as proof he had murderous intentions.
I say this as someone who’s been obsessed with the genre since watching Paradise Lost and learning about the West Memphis Three: it’s time to admit that true crime has rotted our brains.
With the exception of a spike in murders in 2020 that coincided with Covid, major crime has been steadily decreasing for 18 years. Even with the spike, murder rates are a third of what they were in the ’90s. You are more likely to die from heart disease or a car crash than you are from being murdered. And in the U.S., men are far likelier to be homicide victims than women. But listening to true crime podcasts, you would never suspect this. Most of the audience and the hosts themselves are female, and most cases covered by true crime podcasts are about women. It’s making women paranoid.
Pointing this out doesn’t always go over well. In August, my friend Sam tweeted that true crime “is so obviously designed to make you buckle in terror whenever you leave the house.” He was immediately inundated with quote tweets claiming that of course a man couldn’t understand the threats women face on a daily basis, the tweeters either ignoring his profile picture or unaware that Black men in America face a much higher risk of victimization.
I’m not oblivious to violence against women, on the contrary, I am intimately familiar with it. I’ve written and spoken extensively about my own attack, when I was stabbed multiple times by a stranger while walking my dog. But anecdotes aren’t data, and the fact remains that statistically, what happened to me is incredibly rare. That didn’t stop multiple tabloid magazines from emailing me after it happened, asking for interviews. When I looked them up I found articles devoted almost exclusively to crimes against white women with titles such as “My Boyfriend Killed and Ate His Secret Lover” and “My Hubby’s Killer was Hiding in the Wardrobe.” The covers are splashy, sensational, the message clear: danger is all around you. This isn’t new, but what used to be contained mainly on supermarket check-out shelves is now everywhere: on our TVs, on our computers, in our ears. “You’re in danger,” says the new Netflix documentary. “Someone could be outside your door right now,” warns the neighborhood surveillance app. “This dead woman thought she was safe,” chirps the cheerful podcast lady.
[…]
Crime stories are a fundamentally conservative way of looking at the world. Republicans bleat about high crime rates in lawless liberal cities because someone stole a toothbrush from a CVS. Suburban crime paranoia is as old as the suburbs themselves — hell, it’s why they exist to begin with. The reactionary basis of true crime is how you end up with ostensibly liberal podcast hosts defending the death penalty and arguing against double jeopardy protections. It’s easy and correct to condemn Fox News for increasing our grandparents’ blood pressure, keeping them in a perpetual state of fear about roving gangs of MS-13 coming to their gated communities, but we should also consider that other demographics might be susceptible to fear-stoking propaganda. How can we listen to story after story of women being abducted or murdered and expect it to not have an effect on our psyche? A study conducted by the University of Pennsylvania found that fear of crime and violence on television have both increased over time, despite crime rates declining, and that women reported more fear of crime on surveys than men. True crime runs on heightened emotion and fear, convincing people, and especially women, that every stranger is a possible murderer. I see women on Twitter questioning whether it’s safe to let a plumber into their house, or instructing others to rip out strands of hair to leave in cabs for DNA evidence in case the driver murders you. These are not sensible reactions, they are the thoughts of someone who has been deeply traumatized. So many true crime shows advise women to trust their instincts, but how can we trust instincts that have been hijacked by induced anxiety?
“Stay sexy don’t get murdered,” is the tagline of one of the most popular true crime podcasts, as if being murdered is a choice women make, or a risk that can be avoided if we’re just smart enough. Women aren’t stupid; we don’t walk down dark alleys alone while wearing stilettoes and lamenting loudly about how no one would miss us if we disappeared. We all take precautions, we lock our doors and let our friends know where we’re going. “Be aware of your surroundings and don’t trust strangers” is not particularly helpful advice for avoiding the one scenario in which women are most likely to actually be murdered: by their partner. It’s victim blaming dressed up in empowerment; no one questions someone killed in a car accident, but if a woman is murdered her story becomes a precaution.
(via lecter108)

Today’s gender of the day is: Death Note Spoiler
This is such a… specific joke, I have to reblog.
(via kitana-coldfire)
The thing about the default setting of Dungeons & Dragons is that evil is self-defeating not in a metaphysical sense, but in the sense of each individual force of evil being comprised principally of people who suck.
Mind flayers are so invincibly convinced of their own cleverness that their collective history is just an endless litany of them suffering completely predictable ass-kickings at the hands of their own creations, to the point that they’ve lost their empire and been forced to live in caves and still can’t figure out what they’re doing wrong.
Beholders assume that everybody everywhere is just as treacherous and scheming as they are, and consequently spend most of their time quivering in fortified bunkers freaking out about elves on the moon and completely failing to notice the adventurers on their doorstep.
Chromatic dragons are individually unstoppable, but are incapable of even the most basic coordinated effort because two chromatic dragons in the same geographic region will spend all of their time and energy fighting over which one of them should be in charge.
The collective infernal armies of the Abyss and the Nine Hells could conquer the multiverse basically any time they felt like it, but they never will, because they’ve spent the last billion years slaughtering each other in what amounts to a massive ideological slapfight about the correct way to be evil.
And the funny part is that there’s no overarching authorial agenda that got us here. It’s a bunch of different writers in a bunch of different versions of the game published over many decades independently arriving at the conclusions that a. it’s beneficial for the game if the players can have stupid arguments with the monsters, and b. those arguments will be more entertaining to play out if the monsters are a bunch of dork-ass losers.
I remember reading an in depth source book on the drow (3.5) and it specifically said “you may be wondering how their society has survived so long like this. The answer is Divine Intervention. Lolth likes them like this.”
My conclusion to this is that Drow Society is like a Soap Opera. Not only does everyone have a contingency plan upon dying, but there’s a possibility Lolth will res someone just to make it more dramatic.
The reason there are skull thrones is an extension of “if you didn’t see the body, they aren’t dead” and even *that* is suspect.
(via maybeiwasserious)
Wake up kids, new extreme paint dropped
“The paint reflects 98.1% of solar radiation while also emitting infrared heat. Because the paint absorbs less heat from the sun than it emits, a surface coated with this paint is cooled below the surrounding temperature without consuming power.“
holy shit this could be a game changer
worldheritagepostorganization:
your man doesn’t have the mental strength to caramelize onions
your man thinks it takes 5-10 minutes to caramelize onions
Who’s fucking carmelizing onions?
Have you sociopaths forgotten that apples exist?
do you think caramelizing onions is putting caramel on onions
your man thinks putting caramel on onions is caramelizing them
World Heritage Post
(via kalianos)
People, especially games, get eldritch madness wrong a lot and it’s really such a shame.
An ant doesn’t start babbling when they see a circuit board. They find it strange, to them it is a landscape of strange angles and humming monoliths. They may be scared, but that is not madness.
Madness comes when the ant, for a moment, can see as a human does.
It understands those markings are words, symbols with meaning, like a pheromone but infinitely more complex. It can travel unimaginable distances, to lands unlike anything it has seen before. It knows of mirth, embarrassment, love, concepts unimaginable before this moment, and then…
It’s an ant again.
Echoes of things it cannot comprehend swirl around its mind. It cannot make use of this knowledge, but it still remembers. How is it supposed to return to its life? The more the ant saw the harder it is for it to forget. It needs to see it again, understand again. It will do anything to show others, to show itself, nothing else in this tiny world matters.
This is madness.
Thank you for this good PSA because I’m still seeing sincere, published, professional writers doing “ahhhhh oh no this monster was SO UGLY i’m mentally ill now!”
(via maybeiwasserious)
Ah yes, the four types of men:
- Strength
- Dexterity
- Intelligence
- Female
Damn, 6th edition is really simplified huh

